пятница, 3 ноября 2023 г.
THE HOLLYWOOD REPORTER: MILLI VANILLI Pic Offers a Case Study for the Perils of the Music Biopic
вторник, 6 сентября 2022 г.
A film adaptation of the European version of the history of the scandal surrounding the pop duo MILLI VANILLI has been put into production
воскресенье, 7 ноября 2021 г.
MILLI VANILLI's story will be filmed in the USA and Europe. Whose version will be more truthful?
On October 4, the Internet portal IMDbPro, which publishes background information on past and future releases of the global film industry, posted a banner announcing a "comedy drama" about the history of the pop duo MILLI VANILLI. In a short accompanying text, it is announced that the director of this biopic will be Brett Ratner, who is known to fans of Hollywood products for his work on many famous blockbusters ("Rush Hour" and its successful sequels, "The Family Man", "Red Dragon", "After the Sunset", "X-Men: The Last Stand", "Tower Heist", "Hercules" and many more).
The announcement of the upcoming film about MILLI VANILLI, which has not yet received a title, is presented on IMDbPro as follows: "The story of one producer and two lip-syncing male models who would sell millions of records and win a Grammy before their scam was revealed."
Initially, Ratner wanted to bring this loudest pop scandal of the 20th century to the cinema screens back in 2007, in collaboration with Hollywood celebrity producer Kathleen Kennedy and Universal Pictures. The script was written by the equally famous Jeff Nathanson ("Speed 2", "Twister", "Catch Me If You Can" and others). However, a number of unfavorable factors, as well as the scandal surrounding the alleged sexual harassment by Brett Ratner against the actresses who worked with him, interrupted the work on the film for a long time. After breaking up with Universal and Warner Bros., the director still found partners to fund a biopic about MILLI VANILLI. In several interviews, Ratner admitted that the adaptation MILLI VANILLI's story "was a dream of all hes life", since the director has always been attracted by the fate of outstanding crooks.
However, connoisseurs of popular music from the very beginning expressed doubts that the film would become an objective reflection of the history of the pop duo, which was born thanks to the genius German producer Frank Farian. As the media found out, pseudo-singer Fab Morvan and his "voiceover" John Davis, who died in May of this year after being infected with the COVID-19 coronavirus, took part in the development of the script. The authors of the American version of the "comedy drama" did not hide the fact that they wanted to tell this story "from the point of view of young dancers hired to shoot video clips and concert performances." As far as is known, Frank Farian did not agree with this interpretation of events, because it will be a "half-truth", where the producer and the recording industry will almost certainly be portrayed as merciless monsters, while the fake "singers" will appear as innocent victims of greedy businessmen. In fact, everything was much more complicated, so music critics, fans of the pop duo, historians and journalists trying to restore the entire chronology of events will be breaking spears around this story for a long time.
Probably, given this factor, Frank Farian agreed to create a documentary television series about his creative career, which is currently being produced in Europe. It is expected that one of the parts of the film will be devoted to the history of MILLI VANILLI and the role of the main participants in the project in its resounding success and sensational fall from the musical Olympus.
At the same time, a certain group of left-wing documentary filmmakers from the United States also decided to release their film about this story, and they want to view it from the position of "irreconcilable fighters against racism" and apologists for the BLM movement, which a priori raises many questions regarding the objectivity (and adequacy) of the authors.
Well, as they say, we just have to stock up on popcorn and wait for a series of sensational and scandalous movie premieres...
воскресенье, 18 июля 2021 г.
80th birthday of legendary producer Frank Farian: a humble family celebration and big projects with Boney M. and Milli Vanilli
четверг, 6 августа 2020 г.
Americans recalls Boney M. thanks to the TV series "The Umbrella Academy", released on the NETFLIX mediaplatform
Over the past week, the FFFclub video channel on YouTube has undergone an invasion of fans of the popular TV series "The Umbrella Academy", the second season of which started on July 31st on the NETFLIX mediaplatform. Boney M.'s immortal hit "Sunny", which was used in the soundtrack of the aforementioned film, became the subject of fans' delight. Some suddenly remembered this group and the song, and many young viewers discovered for the first time the musical treasury of Boney M.
It should be noted that this particular version performed by Frank Farian's supergroup is considered the most successful. Even the author of the song "Sunny", afroamerican Bobby Hebb, personally sent a congratulation to Farian, where he expressed his admiration for the work of the studio team of the West German producer. Therefore, it is not surprising that cinematographers from different countries have repeatedly used this particular version in their films.
We've already lost count by trying to sum up the number of films in which this music is played. Among the most famous are such bestsellers as "Boogie Nights" (USA), "CJ-7" (Hong Kong), "Michael" (Austria), "Sunny" (South Korea), "Kinsfolk" (USSR), "My father Baryshnikov" (Russia) and so on.
Recently "Sunny" also sounded on the American TV series "Titans" and now again on the superhero series "The Umbrella Academy". In addition, avid gamers claim that "Sunny" has also been used in several popular video games.
Thanks to another surge of interest in the work of Boney M., in the last 7 days "Sunny" has been on the bestseller lists of the American segment of the digital music service iTunes/Apple Music.
В США вспомнили Boney M. благодаря телесериалу "The Umbrella Academy", вышедшему на медиаплатформе NETFLIX
В течение последней недели наш видеоканал на YouTube подвергся нашествию фанатов популярного телесериала "The Umbrella Academy", 2-й сезон которого стартовал 31 июля на медиаплатформе NETFLIX. Предметом восторгов поклонников стал бессмертный хит Boney M. "Sunny", который был использован в саундтрэке упомянутого выше фильма. Некоторые вдруг вспомнили эту группу и песню, а многие молодые зрители впервые открыли для себя музыкальную сокровищницу Boney M.
Надо отметить, что именно версия в исполнении супергруппы Фрэнка Фариана считается наиболее удачной. Даже сам автор песни, афроамериканец Бобби Хэбб, выражал восхищение работой команды западногерманского продюсера, о чём лично сообщил Фариану. Поэтому неудивительно, что кинематографисты разных стран неоднократно использовали именно эту версию в своих картинах.
Мы уже сбились со счёта, пытаясь суммировать количество фильмов, в которых звучит эта музыка. Из наиболее известных можно вспомнить такие бестселлеры как "Boogie Nights" (США), "CJ-7" (Гонконг), "Михаэль" (Австрия), "Sunny" (Южная Корея), "Родня" (СССР), "Мой папа Барышников" (Россия) и так далее.
Недавно "Sunny" также звучала в американском телесериале "Titans" и вот теперь снова в сериале о супергероях "The Umbrella Academy". Кроме того, заядлые геймеры утверждают, что "Sunny" также использовалась в нескольких популярных видеоиграх.
Благодаря очередному всплеску интереса к творчеству Boney M., в последние 7 дней "Sunny" находится в списках бестселлеров американского сегмента музыкального цифрового сервиса iTunes/Apple Music.
вторник, 5 мая 2015 г.
Музыкальный календарь: Fab Morvan отмечает 49-летие
среда, 11 сентября 2013 г.
Michael Jackson impersonator wants to play one of MILLI VANILLI's heroes
суббота, 8 июня 2013 г.
Leonardo DiCaprio сыграет героя хита Boney M.
Вслед за бывшим французом Жераром Депарье пока ещё американец Леонардо Ди Каприо перевоплотится в героя нетленного хита Boney M. Григория Распутина в новой картине киностудии Warner Brothers. Компания уже приобрела права на экранизацию сценария «Распутин» у Джейсона Холла.
Распутин — одна из самых загадочных и неоднозначных фигур в истории России начала XX века. Этот крестьянин слыл колдуном и был близким другом императорской семьи Романовых. Именно старец предсказал гибель императорского дома. Его фигура была окружена мистификациями, а история его смерти будоражит умы историков до сих пор.
Ди Каприо чрезвычайно заинтересовался судьбой Григория Распутина. Сам актёр имеет русские корни — его бабушку звали Елизавета Смирнова. Артист не раз говорил в интервью, что его дед тоже был русским.
О названии фильма и сроках выхода в прокат не сообщается. Продюсерами картины выступят Кевин Маккормик и Питер Морган, сообщает информационное агентство РИА Новости.
воскресенье, 7 апреля 2013 г.
Daddy Cool и The Croods
Для продвижения нового голливудского 3D-мультфильма The Croods (Les Сroods) французские промоутеры избрали оригинальный ход: вместо стандартного рекламного трейлера они выпустили музыкальное видео на мотив знаменитого хита Boney M. "Daddy Cool". Продюсеры привлекли к рекламной кампании популярного во Франции рэпера FAF LARAGE и записали весьма заводной кавер под маркой Daddy Grood feat. Faf Larage. На момент публикации этой заметки число просмотров клипа в youtube уже превысило 560000.
Новый мультфильм от Dream Works Pictures/XX Century Fox выходит на европейские экраны 10 апреля (в России премьера состоялась 21 марта) и рассказывает о забавных приключениях семейки древних людей Крудов. В анонсах сообщается, что это история о том, как в стародавние времена возникла первая родственная община (прообраз современной семьи) и какие трудности им приходилось преодолевать в окружении дикой природы. Мораль всего повествования проста: только дружба и взаимопонимание в семье помогают людям выжить и преодолеть невзгоды.
Картина предназначена для семейного просмотра и должна понравиться не только детям, но и их родителям.
Официальный сайт фильма: LINK
суббота, 16 июня 2012 г.
MILLI VANILLI возвращаются в Америку?
Много новостей за последнее время вокруг MILLI VANILLI и Фаба Морвана (Fab Morvan), который был "визуальной частью" этого студийного проекта Фрэнка Фариана (Frank Farian), сумевшего завоевать высшую музыкальную награду Grammy.
Самая сенсационная новость: впервые со времён грандиозного "фонограммного" скандала Морван выступит в США с классическим репертуаром группы. На сей раз всё будет исполняться вживую и никаких подвохов не ожидается. Выступление Морвана должно стать главной "изюминкой" одного из крупнейших ЛГБТ-фестивалей на территории Штатов, который пройдёт в эти выходные в Дэнвере.
Как сообщает американская пресса, ожидается примерно 360000 зрителей и участников. Это более чем внушительная аудитория для "комбэка" MV в Америке. Морван прибывает в Дэнвер из Европы (сейчас он живёт "на два дома", попеременно в Амстердаме и Лос-Анджелесе, где занят в различных музыкальных проектах).
Вторая не менее сенсационная новость: голливудские продюсеры заинтересовались идеей воскрешения MILLI VANILLI и вроде бы готовы вложить деньги в "голографический концерт" группы, где живой Фабрис выступит "вместе" со своим партнёром Робом Пилатусом (Rob Pilatus), умершим в 1998 году от наркотического отравления. Недавно подобный "концерт" воскресил убитого рэппера Тупака, что привело его поклонников "в оцепеняющий восторг". Да, современные технологии уже способны творить и такие чудеса.
Как стало известно американским изданиям, специализирующимся на освещении событий в мире шоу-бизнеса, профинансировать проект с виртуальными MILLI VANILLI согласился один из боссов киностудии Disney Pictures. Однако окончательное решение относительно воплощения этой задумки, видимо, будет принято позже.
И, наконец, третья новость: другая голливудская компания, UNIVERSAL Pictures, начинает съёмки биографического фильма о MILLI VANILLI. Французская печать сообщает, что чернокожий звёздный актёр Омар Сай (Omar Sy), выбранный на роль Фаба Морвана (родившегося в столице Франции), вылетает в Калифорнию вместе с семьёй. Там он обоснуется на целый год, покуда будет идти работа над давно ожидаемой картиной. Правда, фаны MILLI VANILLI пребывают в недоумении: "натурал" Сай абсолютно не похож на жеманного бисексуала Морвана. Сможет ли Сай адекватно воспроизвести образ одного из главных героев истории MV, не совсем понятно. Впрочем, голливудские гримёры способны на многое...
суббота, 9 июня 2012 г.
MILLI VANILLI - THE MOVIE: возвращение на исходную позицию
Между тем, как стало известно, адвокат Фрэнка Фариана в настоящий момент занят улаживанием юридических вопросов с UNIVERSAL, поскольку без одобрения фильма германским продюсером, который обладает правами на эту историю (равно как и на музыкальные трэки MILLI VANILLI), работа начаться не сможет.
Опыт показывает, что юридические споры вокруг байопиков (биографических фильмов) имеют обыкновение растягиваться на долгие годы. Поэтому не исключено, что картина может достичь экранов лет через 10...
Omar Sy of 'The Intouchables' vaults from workaday to marque
A minor television star in France, he is the toast of European cinema, proving that stars and blockbusters can be made outside of Hollywood.
PARIS — Omar Sy's life has changed quite a bit recently. One sign? "Rush Hour" director Brett Ratner is standing in front of the French actor. With a pitch. For a movie about Milli Vanilli.
"You are the man," Ratner says in English as Sy flashes his million-euro smile. Ratner gestures to a script on a nearby table and says, "Read it and write me. Write me right away. Write me in French and I'll translate."
The two are in the lobby bar of a Paris hotel a few days after the Cannes Film Festival. Ratner has dropped by to persuade Sy to star as the French half of the infamous lip-syncing pop duo in a Universal Pictures movie that he's directing. The Hollywood filmmaker clasps Sy's hand, leans in for a man-hug and a moment later whisks out the door with his entourage.
It's like that for Sy these days. A minor French television star for the last 10 years, the 34-year-old has suddenly become the toast of European cinema. Autograph seekers hound him on the street. The French media compare him to Eddie Murphy. (Like the American comedian, Sy is a black actor with a broad grin and a gift for physical comedy.) Brand-name directors come calling.
The reason is an unlikely hit film called "Untouchable," which offers a reminder that, even as Hollywood digs its tentacles deep into multiplexes around the globe, non-Hollywood blockbusters are still possible — and can transform a workaday actor into a marquee star.
A modestly budgeted French-language production, "Untouchable" is about the friendship between a rambunctious Senegalese immigrant Driss (Sy) and the wealthy paralyzed man he is hired to care for, Philippe (Francois Cluzet). The film became a box office sensation when it opened in France in November as audiences responded to the blunt and freewheeling Driss and to the friendship he forms with Philippe, who had a similar maverick spirit before a paragliding accident. The men bond as they share their divergent interests and backgrounds; Driss introduces Philippe to Earth, Wind & Fire, while Philippe turns on his caregiver to Vivaldi.
By late winter, "Untouchable," directed by the little-known tandem of Olivier Nakache and Eric Toledano, had sold the second-most tickets of any French movie in the country's history. The Cesars, France's equivalent of the Oscars, handed Sy its lead actor prize over Jean Dujardin ("The Artist"). Sy became the first black man to take the prize in the nearly 40-year history of the awards.
Nor was the film just a Gallic phenomenon. The dramatic comedy played big in Germany, South Korea and elsewhere; it's racked up more than $340 million worldwide. The film, retitled "The Intouchables," was released by the Weinstein Co. in Los Angeles last weekend. A U.S. remake from the company, starring Colin Firth as Philippe, is also in the works.
When queried about his explanation for the film's popularity, Sy noted that he thought moviegoers found something refreshing in the notion of a comedy with a handicapped person at the center. Then he added, "I think there is a message of hope in this movie, of harmony. We are all tired of the racial fighting." (French law prohibits census-takers from collecting religious or racial data on its 65 million people, but the government estimated four years ago that about 20% of the population were either immigrants or the children of immigrants. Tensions between immigrants, many from North Africa, and whites reached a boiling point in 2005 and again in 2007, when racially charged riots broke out.)
Born in France to a Mauritanian mother and a Senegalese father, Sy was raised in a bleak public housing project about 20 miles west of central Paris, one of eight children in a small apartment. He speaks knowingly of "two Frances" — the stratum of the country that is wealthy and has access to the arts and the largely immigrant working class that does not. "The thing about this movie," he said proudly, "is that it brought them together. People from one France came to the theater not knowing anything about the other France and they left having learned a lot, having sat together and laughed at the same jokes."
Sy's mother was a housekeeper and his father a factory worker. Though he came from a two-parent home, Sy said he saw a lot of strife and challenges; his upbringing, he noted, wasn't all that different from his character's.
"When Driss' mother locks him out of the house, I know what that means because I saw it happen to a lot of my friends," he said, referencing an event in the film. "When Driss' little brother says Driss let him down by not being there, I've seen that too." He said this childhood made him not take anything for granted and has given him an appreciation for his newfound celebrity in a way he imagined a middle-class background would not.
Asked if Marcel Marceau and other classic French comedians were favorites growing up, Sy shook his head. "That was the other France," he said with an acid laugh. He watched contemporary commercial stars like Murphy and the French-Moroccan comedian Jamel Debbouze, the latter of whom he would come to work with.
Sy's parents didn't exactly encourage acting, wishing instead for a legal or medical career for their children. "If I wasn't going to wear a nice shirt and a tie, they didn't think it was a real job," he said. "It was a really immigrant mentality."
But an office life wasn't in the cards. In high school, a friend asked Sy to be on a local radio comedy show, playing the character of a retired Senegalese soccer player. The segment killed, and soon Sy had a deal with the broadcaster Canal+ and, eventually, had created "Omar et Fred," a weekly comedy-sketch show with his friend and comedy partner, Fred Testot. (The show is a riff on contemporary news and pop culture, often through the lens of race; think a French spin on "In Living Color" or "Chappelle's Show.")
On the big screen, Sy has had bit parts in a host of French films, such as the action thriller "Le Boulet" and the art-house picture "Micmacs." He also had supporting parts in Nakache and Toledano's shorts. When they graduated to features, they took him with them, casting him in films such as the 2006 comedy "Nos Jours Hereux," then actually writing their fourth feature, "Untouchable" (which is based on a true story), with Sy in mind.
"We were going to do it only if Omar could," Nakache said. "It didn't make sense with anyone else." None of them had any idea they were working on anything more than a modest comedy about an improbable subject.
Despite its blockbuster status, however, "Untouchable" hasn't been universally accepted. American critics have asked why Nakache and Toledano wrote Driss' character as black when the real-life caregiver was Arab and have accused the movie of a larger racism. A Variety critic said that the backgrounds and cultural interests of the movie's leads amounted to "the kind of racism one had hoped had permanently exited" movie screens a long time ago.
Sy said he is confounded by the criticism. He believes the distinction between Arab and black is "irrelevant" in France, where all immigrant groups face similar challenges. As for accusations that the film traffics in cultural stereotypes — a scene in which Driss demonstrates dancing to Philippe has been cited by critics frequently — Sy said: "Why can't a black guy show a white guy how to dance? I mean, it happens in real life."
The objections also strike Sy as odd given his own trajectory; "Untouchable," after all, has helped establish him as a leading man, something that's still a rarity for black actors in France.
At the moment, Sy is winding down the latest season of his TV show — it concludes at the end of June — and he will likely stop working on it after this season to concentrate on his film career. He recently visited Los Angeles for about a week but said it was vacation, not a work or meeting-filled trip. Sy is a married father of four, and he said that even though his wife occasionally rolls her eyes when people stop him on the street in France to take a photo or tell him their feelings about "Untouchable," "we get tables at all the good restaurants now, so she's made her peace with it."
The actor says he'd like to come to the U.S. to work on Hollywood films, having witnessed how actors like Dujardin and Marion Cotillard have been able to gain acceptance across the Atlantic.
"I think Omar has more universal appeal than any French actor, even Jean Dujardin," said Toledano. "He can adapt to anything."
Indeed, Sy radiates a kind of magnanimous charm that makes him likable even when he's doing obnoxious things, as he does often in "Untouchable" or running his motormouth on the screen, as he does in many of his parts.
Sy, who speaks poor English, said he will take language-immersion courses next year so he can land heavily verbal roles in Hollywood films.
"I need to be able to talk in my parts. That's where a lot of my comedy comes from," he said. "A role where I'm only required to speak broken English" — he gestured to the Milli Vanilli script — "is fine. But people don't only want to see me smile. At least I hope they don't."
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